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I'm Fashion

Today we will bring you an ideal nomination: Semona Fashion Model Agency. We’re surely that this great template will meet all your expectations.

5648 VK 26th Lane - Florida 26154

+123.859.1263

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    • Member Information
    • Testimonials
    • Clients
    • Contact - Page Builder Style
    • Featured Box
    • Call to Action
    • Pricing Table
    • Number Effect Styles
    • Progress Bar
    • Header - Horizontal Right
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Date Article

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April 2019

Camera Legend

27 April 2019
Sonny Le
189
Selena
Photography, Camera, Legacy
Camera Legend

Bernbach’s artistic approach to print advertising was innovative, and he understood that advertising didn’t sell products. The strategy was to keep customers by creating and nurturing them as brand ambassadors, rather than attempting to attract the attention of those who were uninterested in the product.

Read more

Beautiful Vintage Girl

27 April 2019
Sonny Le
211
Besley
Legacy, Camera, Photography
Beautiful Vintage Girl

Bernbach’s artistic approach to print advertising was innovative, and he understood that advertising didn’t sell products. The strategy was to keep customers by creating and nurturing them as brand ambassadors, rather than attempting to attract the attention of those who were uninterested in the product.

Read more

Radio Legend

27 April 2019
Sonny Le
166
Selena
Radio, Volkswagen, Legacy
Radio Legend

In 1949, William Bernbach, along with colleagues, Ned Doyle and Maxwell Dane, formed Doyle Dane Bernbach (DDB). Bernbach’s artistic approach to print advertising was innovative, and he understood that advertising didn’t sell products.

Read more

Classic Man

27 April 2019
Sonny Le
226
Besley
Volkswagen, Radio, Legacy
Classic Man

In 1949, William Bernbach, along with colleagues, Ned Doyle and Maxwell Dane, formed Doyle Dane Bernbach (DDB). Bernbach’s artistic approach to print advertising was innovative, and he understood that advertising didn’t sell products.

Read more

Polaroid Camera

27 April 2019
Sonny Le
172
Selena
Legacy, Photography, Camera
Polaroid Camera

He took the simple, straightforward layouts of agency principal David Ogilvy of Ogilvy and Mather and adapted them for Volkswagen. Krone’s repeated use of black-and-white, largely unretouched photographs for Volkswagen, (as opposed to the embellished illustrations used traditionally by competing agencies).

Read more

Play with Camera

27 April 2019
Sonny Le
204
Besley
Photography, Camera, Legacy
Play with Camera

He took the simple, straightforward layouts of agency principal David Ogilvy of Ogilvy and Mather and adapted them for Volkswagen. Krone’s repeated use of black-and-white, largely unretouched photographs for Volkswagen, (as opposed to the embellished illustrations used traditionally by competing agencies).

Read more

Vintage Video

27 April 2019
Sonny Le
167
Selena
Camera, Video
Vintage Video

Bernbach’s team of “agency creatives” was headed by Bob Gage, who hired Helmut Krone, as an art director in 1954. Krone owned a Volkswagen before the agency pitched for the account. Krone, Bernbach and the first copywriter on the account, Julian Koenig, were impressed with the “honesty” of the car. Krone was an intellectual among art directors – seeking ways to lay out an ad campaign to stand-in for the product itself.

Read more

Modern Girl

27 April 2019
Sonny Le
189
Besley
Video, Camera
Modern Girl

Bernbach’s team of “agency creatives” was headed by Bob Gage, who hired Helmut Krone, as an art director in 1954. Krone owned a Volkswagen before the agency pitched for the account. Krone, Bernbach and the first copywriter on the account, Julian Koenig, were impressed with the “honesty” of the car. Krone was an intellectual among art directors – seeking ways to lay out an ad campaign to stand-in for the product itself.

Read more

Old Volkswagen

27 April 2019
Sonny Le
162
Selena
Legacy, Automotive, Car

Bernbach’s team of “agency creatives” was headed by Bob Gage, who hired Helmut Krone, as an art director in 1954. Krone owned a Volkswagen before the agency pitched for the account. Krone, Bernbach and the first copywriter on the account, Julian Koenig, were impressed with the “honesty” of the car. Krone was an intellectual among art directors – seeking ways to lay out an ad campaign to stand-in for the product itself.

Read more

Girl in Vintage

27 April 2019
Sonny Le
184
Besley
Car, Automotive, Legacy

Bernbach’s team of “agency creatives” was headed by Bob Gage, who hired Helmut Krone, as an art director in 1954. Krone owned a Volkswagen before the agency pitched for the account. Krone, Bernbach and the first copywriter on the account, Julian Koenig, were impressed with the “honesty” of the car. Krone was an intellectual among art directors – seeking ways to lay out an ad campaign to stand-in for the product itself.

Read more

Legacy Radio

27 April 2019
Sonny Le
184
Selena
Radio, Legacy
Legacy Radio

Bernbach’s artistic approach to print advertising was innovative, and he understood that advertising didn’t sell products. The strategy was to keep customers by creating and nurturing them as brand ambassadors, rather than attempting to attract the attention of those who were uninterested in the product.

Read more

Legacy Fashion

27 April 2019
Sonny Le
188
Besley
Radio, Legacy
Legacy Fashion

Bernbach’s artistic approach to print advertising was innovative, and he understood that advertising didn’t sell products. The strategy was to keep customers by creating and nurturing them as brand ambassadors, rather than attempting to attract the attention of those who were uninterested in the product.

Read more
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